Northlight Gallery, Graham Place, Stromness: Thurs 5-Sun 15, 1100-1700, closed Sun 8

More images inspired by the influence of Dr Kathleen Drew Baker on the Japanese seaweed industry. It will include 17 artists who work with seaweed in printmaking, photography, painting, textiles and sculpture. They are Ingrid Budge, Alison Clark, Mollie Goldstrom & William Arnold, Yvonne Harcus, Joanne B Kaar, Julia Lohmann, Rebecca Marr, Alison Moore, Judith Nixon, Frances Pelly, Rosey Priestman, Ami Robb, Dawn Stevens, Ingrid Stout, Megumi Barrington Uenoyama, and Miek Zwamborn.

Organised by the Orkney Japan Association


  • Three exhibitions are woven together in the gallery near the harbour front. Mother of the Sea is linked to the Northlight Gallery exhibition. A Fragile Correspondence was commissioned by Scotland + Venice to bring writers, artists and architects together to look at language and landscape, including Orkney’s seashore and the vanished Orkney Norn language. Earthbound Orkney features techniques of building in earth and stone in the Orcadian Neolithic.

  • “The shore dweller has companionship with the free world of nature,” wrote the Orkney poet and shell expert Robert Rendall. “There is always life and movement, birds flying about, waves breaking, salt winds blowing, an occasional seal in the bay, seapinks and other flowers giving colour to the foreshore.” The Orkney shore, its beaches and rock pools, and the life around it, forms the theme for this year’s Orkney Camera Club exhibition.

  • A new introductory display created by Callum Potter, former president of the British Astronomical Society. Great Comets which are easily visible to the casual viewer are rare, but there are now thousands known to reside around our solar system. The display depicts comets in history from Halley to Neowise, along with the science behind comets, space missions to comets, and photographs of comets in the 20th and 21st century.

  • Paintings by the Italian artist Paola Folicaldi Suh of the Shackleton Antarctic expedition of 1914-17, in this 150th anniversary year of the birth of Sir Ernest Shackleton. The paintings, developed from the photographs and diaries of expedition photographer Frank Hurley, are on canvases made with upholstery fabrics.

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