TO BUILD IN ORKNEY’S EARTH AND STONE
Phoenix Cinema, Pickaquoy, Kirkwall
Earth has been used as building material in Orkney since the Neolithic. Architect Tom Morton and mudmason/artist Rebecca Little have been studying its use in Orkney’s ancient buildings for Historic Environment Scotland, and they’ve identified a range of skilled techniques. Earth can bind stones for walls, and clay was used to seal roof slates at the Ness of Brodgar. Recent studies have also highlighted its use as decorative plaster.
And as they explain, it turns out that in today’s climate situation, local materials such as earth and straw could have a role again.
Becky and Tom have written a book to accompany the activities around their investigations into the use of earth as a building material. Titled Earthbound Orkney, it presents several years of desk and field research on Orkney, supported by Historic Environment Scotland and many practitioners and organisations in the heritage community.
“In this work, we have peeled back the accumulated living skin of plants to feel, taste and smell the shifting grains of earth that lie beneath; to feel the pulse of this place we call Orkney, to rest on its bed of rock. It reveals a hidden world of geological science, of natural beauty and of human craft that we hope you will enjoy and consider.”
Tom and Becky both work for the charity Earth Building UK & Ireland (EBUKI), and over the next few days will host a series of one-day workshops in the Navigational School in Stromness, funded by Historic Environment Scotland and the Heritage Lottery Fund, offering training on the science and heritage of Orkney’s clay soils. The first, on Saturday 7 September, is for the public and can be booked from here. Three other days will be available for people working in the heritage sector. An exhibition of the ideas can be seen at the Ship of Fools Gallery in Kirkwall as part of the Surf and Turf group of exhibitions.
LINKED EVENT: exhibition
An exhibition inspired by the story of how Dr Kathleen Drew Baker saved the Japanese sushi industry. Her research on the life cycle of the seaweed known as laver (in Japan, nori) earned her the title in Japan of 'Mother of the Sea'. The exhibition includes over a dozen artists who work with seaweed in printmaking, photography, painting, textiles and sculpture.







































































































