Nordic Viola presents reflections on female experience of landscapes and community from the Northern Isles to Greenland in music by women composers for string quartet. Highlights include ‘Machair’ by young Highland composer Lisa Robertson and music influenced by Orcadian history and the Hardanger fiddle style by Gemma McGregor. Greenland’s only classical composer, Arnannguaq Gerstrøm, reflects on winter whilst English composer Lillie Harris depicts the full fury of a Shetland storm. Anna Appleby’s evocative ‘Hrakningar’ includes migrating geese from Iceland, and American Jocelyn Hagen offers a new take on the haunting Icelandic lullaby ‘Sofðu Unga’. There are new tunes reflecting on motherhood and the wild Orcadian weather by traditional fiddlers Margaret Robertson (Shetland) and Fiona Driver (Orkney).
In partnership with UHI’s Institute of Northern Studies and funded by Creative Scotland, Ambache Charitable Trust, RVW Trust and the Year of Coasts and Waters